![]() ![]() That being said I've added over the past while, various Spitfire I also have CineSamples, Noir, Westwood, Native Instruments, and a few others that I picked up during sales. The most complaints I ever heard about EW was about the Play engine, but that's all been fixed with Opus. Then one day I was watching a video with Guy Michaelmoore (Thinkspace) and he used some EW in the track he was composing-while-we-watched, and he mentioned that their sounds were good quality and I felt vindicated lol. I have East West Composer Cloud and when I got it some people suggested it was not the best choice for a "serious composer", but for those of us who don't have thousands to spend on buying orchestral elements it seemed a good choice. I'd like to not have to use subscription in the future, but that's where I'm at now. They say though it's not about what you have, but how you learn to use what you already have. I will say the first orchestral things I got signed were when I started using Spitfire. (Now that I think about it, I actually started with free LABS and loved the strings there, so looked to own something "Spitfire") articulations I don't own, East-West piano, maybe a pad from LABS. I'll start a project with BBCSO Pro (first Spitfire I bought) and then add if needed East-West cymbals, other inst. ![]() Had Composer Cloud first, then I started zeroing in on Spitfire, and they way they communicate through how-to videos was really cool. ![]() I enjoy writing Dramedy, Orch Tension, anything orchestral and doable with my limited technical composing skills. Of course it depends on genre what you're writing for. I like the subscription model that East-West has, but Spitfire seems more approachable and has a bunch of cool cheap/free otpions. Hello, hive mind! I am a bit overwhelmed trying to decide what direction to head with sample libraries. ![]()
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